Paul Revere Williams, FAIA (February 18, 1894 – January 23, 1980) was an American architect based in Los Angeles, California. He practiced largely in Southern California and designed the homes of numerous celebrities, including Frank Sinatra, Lucille Ball and Desi Arnaz, Lon Chaney, Barbara Stanwyck and Charles Correll. He also designed many public and private buildings.

Williams won an architectural competition at age 25, and three years later opened his own office. Known as an outstanding draftsman, he perfected the skill of rendering drawings “upside down.” This skill was developed because in the 1920’s many of his white clients felt uncomfortable sitting directly next to a black man. He learned to draft upside down so that he could sit across the desk from his clients who would see his drafts right-side-up.

Struggling to gain attention, he served on the first Los Angeles City Planning Commission in 1920.

From 1921 through 1924, Williams worked for Los Angeles architect John C. Austin, eventually becoming chief draftsman, before establishing his own office.

In 1923, Williams became the first African-American member of the American Institute of Architects (AIA).

In 1939, he won the AIA Award of Merit for his design of the MCA Building in Los Angeles (now headquarters of the Paradigm Talent Agency).

A. Quincy Jones (1913–79) was an architect who is claimed to have hired Williams and later collaborated with him on projects in Palm Springs, including the Palm Springs Tennis Club (1947) and the Town & Country (1948) and Romanoff’s on the Rocks (1948) restaurants.

During World War II, Williams worked for the Navy Department as an architect.

In 1951, Williams won the Omega Psi Phi Fraternity, Inc., Man of the Year award and in 1953 he received the Spingarn Medal from the NAACP for his outstanding contributions as an architect and member of the African-American community.

Williams also received honorary doctorates from Lincoln University of Missouri (doctor of science, 1941), Howard University (doctor of architecture, 1952), and the Tuskegee Institute (doctor of fine arts, 1956).

In 1956, he won an award for service, from Wisdom magazine, for “contributions to knowledge and distinguished service to mankind.”

In 1957, he became the first black member to be inducted into the AIA’s College of Fellows. An April 2, 1957 letter from the Executive Secretary of AIA, offered Williams the honor of Fellowship and membership in the College of Fellows “for your notable contribution in Public Service.”

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